[Intro]
| E B | F#m7 A | E B | C#m7 A |
[Verse 1]
E B
If this is what I think it is
F#m7 A
If you've got leavin' on your lips
E B C#m7
If you're already one foot out the door
A
Then say no more
E B
I ain't gonna fight about it
F#m7 A
Or un-make up your mind about it
E B C#m7
I'll tell you when your stuff's out on the porch
A
And say no more
[Pre-Chorus]
F#m7 B
But before you say goodbye
F#m7 Asus2
Make sure you're sure that you'll, you'll be alright
[Chorus]
E B
When it's 2 a.m. and you're all alone
F#m7 Asus2
You won't get me on the phone
E B
Saying "Come over. Come over."
F#m7 Asus2
'Cause if it's over it's over
E B
When it's Friday night I won't say
F#m7 Asus2
"I've been thinking 'bout you all damn day"
E B
And no more hey I miss you toos
F#m7 Asus2
And no more random I love yous
F#m7 Asus2
All the little things you heard me say before
E B F#m7 A
You won't hear me say no more
E B C#m A
You won't hear me say no more
[Verse 2]
E B
If you ain't gonna miss the way
F#m7 A
You can hear me smile when I say your name
E B C#m7
Or the sound of my voice telling you I'm yours
A
Then say no more
[Pre-Chorus]
F#m7 B
But before you say goodbye
F#m7 Asus2
Make sure you're sure that you'll, you'll be alright
[Chorus]
E B
When it's 2 a.m. and you're all alone
F#m7 Asus2
You won't get me on the phone
E B
Saying "Come over. Come over."
F#m7 Asus2
'Cause if it's over it's over
E B
When it's Friday night I won't say
F#m7 Asus2
"I've been thinking 'bout you all damn day"
E B
And no more hey I miss you toos
F#m7 Asus2
And no more random I love yous
F#m7 Asus2
All the little things you heard me say before
E B F#m7 Asus2
You won't hear me say no more
E B C#m Asus2
You won't hear me say no more
[Bridge]
E B F#m7 A E B C#m7 A
I don't want to hear you walking out that door
E B F#m7
So let me say
A E B F#m7
One more thing then I'll say no more
[Chorus]
E B
When it's 2 a.m. and you're all alone
F#m7 Asus2
You won't get me on the phone
E B
Saying "Come over. Come over."
F#m7 Asus2
'Cause if it's over it's over
E B
When it's Friday night I won't say
F#m7 Asus2
"I've been thinking 'bout you all damn day"
E B
And no more hey I miss you toos
F#m7 Asus2
And no more random I love yous
F#m7 Asus2
All the little things you heard me say before
F#m7 Asus2
And the way I'm saying we're worth fighting for
E B F#m7 Asus2
You won't hear me say no more
E B F#m7 Asus2
You won't hear me say no more
[Ending]
| E B | F#m7 Asus2 |
How to play "Say No More" by Cooke Ashley on guitar
[Intro & Verses]
- The song starts with a chord sequence of E, B, F#m7, and A, setting an
emotional tone right from the beginning.
- Strum these chords smoothly, focusing on the transitions to ensure they
blend seamlessly, especially the shift from the high-energy B to the
mellower F#m7.
- In the verses, maintain a consistent rhythm but allow slight dynamic
variations to match the emotional weight of the lyrics. The use of
C#m7 adds a deeper, reflective quality to the narrative.
[Pre-Chorus]
- Transition to F#m7 and B, then to Asus2, which provides a subtle lift
before leading into the chorus. This section should build anticipation,
so slightly increase your strumming intensity.
[Chorus]
- The chorus should be the emotional climax of the song, using the same
chords from the intro but with more dynamic strumming.
- Emphasize key lyrical phrases like "You won't get me on the phone" and
"You won't hear me say no more" with a stronger, more emphatic strum
to highlight the song's central theme of finality in a relationship.
- Pay careful attention to the shift from Asus2 back to E, ensuring this
transition is clean and impactful, as it rounds off the chorus and sets
the tone for the verse to follow.
[Bridge]
- The bridge features a more plaintive tone with E, B, F#m7, A progressing
to C#m7. This section should be played with a sense of urgency but
controlled to not overpower the vocals.
- Use this moment to emphasize the emotional plea in the lyrics, gradually
building back into the chorus.
[Common Mistakes]
- Not maintaining a consistent tempo during the emotional parts of the song,
which can lead to a disjointed performance.
- Overlooking the importance of dynamics, especially in transitioning between
the verse, chorus, and bridge, which is essential to convey the song's
emotional narrative.
[Tips]
- Practice the chord transitions slowly, especially between B and F#m7,
and from Asus2 back to E, as these are pivotal in maintaining the song's
emotional flow.
- Use a metronome to keep your timing consistent, particularly when practicing
the transitions and dynamics.
[Song Facts]
"Say No More" deals with the theme of finality in relationships, exploring
the emotional complexity of letting go and the definitive end of communication.
The song uses poignant lyrics and a compelling chord progression to evoke a
sense of resolution and closure.
[Artist Bio]
Cooke Ashley is recognized for her lyrical depth and ability to connect with
listeners through music that often explores themes of love, loss, and personal
growth. Her ability to craft songs that resonate on a personal level has
earned her a respected place in the contemporary music scene.
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