Laugh It Off chords
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[Intro]
| F#m7 | C#m7 | Dmaj7 | A |
[Verse 1]
F#m7 C#m7
When we was lying down on the floor
Dmaj7
You said I should smile more
A
I was killing your vibe
F#m7 C#m7 Dmaj7
Pretend I didn't hear your voice, but baby, I was taking notes
A
Keep that in mind
[Chorus]
D A
Hey, you say you hate me
C#7 F#m7
Ha, ha, ha, I laugh it off
E D
Your mind is made
A
And I can't change it
C#7
Some ha, ha, how
[Instrumental]
| F#m7 | C#m7 | Dmaj7 | A |
[Verse 2]
F#m7 C#m7 Dmaj7
Haven't seen the sun in a month, but it's all sunshine
A
I forgot how to cry
F#m7
It feels like pain, pain is a world away
C#m7 Dmaj7
Took my cigarettes and flushed them down the drain
A
Okay, okay, I'm lying
[Chorus]
D A
Hey, you say you hate me
C#7 F#m7
Ha, ha, ha, I laugh it off
E D
Your mind is made
A
And I can't change it
C#7
Some ha, ha, how
F#m7
I laugh it off
E D A
And if I learned anything at all
C#7
Some ha, ha, how
[Bridge]
Bm E
Talk to me, I know it's over
Bm E
I'll listen like I did before
[Chorus]
D A
Hey, you say you hate me
C#7 F#m7
Ha, ha, ha, I laugh it off
E D
When I fuck off
A
Like I have lately
C#7
Some ha, ha, how
F#m7
I laugh it off
E D A
And if I learned anything at all
C#7
Smi ha, ile
F#m7
Smi ha, ile
E D A
And if I learned anything at all
C#7
Smi ha, ile
F#m7
Smi ha, ile
[Ending]
| D | A | C#7 | F#m7 E | 2x
| D | A | C#7 | C#7 |
How to play "Laugh It Off" by Post Malone on guitar
[Preface]
- Chords: A, Dmaj7, F#m7, C#m7.
- F#m7: Middle on second fret G, index on second fret barre,
and ring on fourth fret A.
- C#m7: Middle on fret B, index on fret 4 barre, ring on fret D,
and middle on fret 5.
- Dmaj7: Index on the second fret, middle on the second fret,
B string, and ring on the second fret up E.-A: Middle on fret G,
index on fret D, and ring on fret B are the second frets.
- Move fluidly and pay attention to changes in tone.
[First Verse]
- Chords: A, Dmaj7, F#m7, C#m7.
- When using downstrums, have a consistent rhythm.
Make sure that the chord transitions are seamless.
[Chorus]
- D, A, C#7, F#m7, E are the chords.
- D: Index on second fret, high E on second fret, ring on
third fret, B string.
- C#7: Index on the fourth fret (A string), middle on the
fifth fret (G string), and ring on the sixth fret (D string).
- E: Middle on second fret A string, index on first fret
G string, and ring on second fret D string.
- To create tension and emotion, lightly stomp.
[Instrumental]: F#m7, C#m7, Dmaj7, A are the chords.
- Continue using the same chord changes and strumming
pattern as the introduction and verses.
[Verse 2]
- Chords: A, Dmaj7, F#m7, C#m7.
In line with verse 1, keep your transitions fluid.
- Concentrate on matching the strumming to the lyrical rhythm.
[Chorus]:
- D, A, C#7, F#m7, E are the chords.
- Replicate the first chorus's chord progression and strumming arrangement.
- Verify that all chords ring clearly and that transitions are seamless.
[Bridge]
- Keys: E and Bm.
- Bm: Ring and pinky on 4th fret D and G strings, index on
2nd fret barre, middle on 3rd fret B string.
- E: Middle on second fret A string, index on first fret G string,
and ring on second fret D string.
- Use a gentle stomp to introduce the chorus.
[Chorus]:
- D, A, C#7, F#m7, E are the chords.
- Replicate the prior chorus's chord progression.
- Increase the dynamics gradually to create an emotional impression.
[Ending]:
- D, A, C#7, F#m7, E are the chords.
- After two repetitions of the sequence, stop on C#7.
[General Advice:]
- Tuning: EADGBE tuning standard.
- Tone: To complement the relaxed vibe of the song,
use a clear tone.
- Practice: Pick up the tempo gradually at first, paying attention
to fluid chord changes.
- Typical errors: Make sure that chord transitions are apparent,
particularly those between F#m7, C#m7, and Dmaj7.
Song details: Post Malone's "Laugh It Off" explores themes of
fortitude and letting go of negativity. The process of handling
criticism and finding comfort in comedy is explored in the lyrics.
Austin Richard Post, better known as Post Malone, is renowned for
his ability to fuse pop, rock, and hip-hop genres. He has received
a great deal of praise in the modern music industry for his
distinctive sound and contemplative lyrics.