[Intro]
D A D
[Verse 1]
D G A D
Heathers on the hillside and moss is in the trees
G A D
I’m around your mouth because you’re sweet like honeybees
G A D
Ooo, you surely can sting
Bm A D Bm A D
I’ll come off the mountain now if you’ll just say my name
[Verse 2]
G A D
I’ll come off the mountain now if you’ll just say my name
G A D
Blackberries so sweet and fine they stain your lips on mine
G A D
Your fingertips do gently grip and trace my face outline
Bm A D
Once were in her presence now to me you won’t be kind
[Fiddle Solo]
Bm A D G A D G A D
G A D Bm G A D
[Verse 3]
G A D
I’ll come off the mountain now if you’ll just say my name
G A D
I’m wrapped around your finger where you play me like a game
G A D
Then you wonder why I’m changing, I am not the same
Bm A D Bm A D
I’ll come off the mountain now if you’ll just say my name
[Verse 4]
D G A D
Heathers on the hillside and moss is in the trees
G A D
I’m around your mouth because you’re sweet like honeybees
G A D
Ooo, you surely can sting
Bm A D
I’ll come off the mountain now if you’ll just say my name
[Outro]
Bm G A D Bm G A D
X
To play "I'll Come Off The Mountain" by Ferrell Sierra, you'll immerse yourself
in a song that blends the beauty of nature with the intensity of personal longing.
Let's go through how to bring this song to life on your guitar, focusing on its
chords and the emotions they convey.
Intro: Setting the Scene
The song begins with an intro of D, A, and D chords. This sequence sets a
reflective and inviting tone, preparing you for the narrative journey ahead.
Think of these chords as the first steps into a story told against a backdrop
of natural beauty.
Verse 1: Painting the Picture
As the first verse unfolds with D to G, then A, and back to D, you're introduced
to vivid imagery of heathers on the hillside and the sweetness of honeybees.
The transition from G to A and back to D is smooth, meant to evoke the serene
yet potent beauty of the landscape. The mention of "Ooo, you surely can sting"
over G and A chords adds a twist, hinting at the complexity of emotions in play.
Verse 2: Deepening the Narrative
Continuing with G, A, and D, the verse deepens the emotional landscape of
the song. The imagery of blackberries and the tactile sensation of fingertips
suggest intimacy and connection, reinforced by the gentle chord transitions.
The mention of once being in her presence introduces a note of longing
and unfulfilled desire.
Fiddle Solo: A Musical Interlude
Though primarily for the fiddle, this section can be adapted for guitar.
Play through Bm, A, D, then G, A, D, and repeat, allowing each chord
to resonate. This part serves as a reflective pause in the song,
a moment to digest the story's emotions thus far.
Verse 3 & 4: Climactic Reflection
The repetition of "I’ll come off the mountain now if you’ll just say my name"
over G, A, and D chords emphasizes the theme of longing and transformation.
The music and lyrics work together, asking for acknowledgment, a call to
be seen and understood.
Outro: Closing the Tale
The outro revisits the Bm, G, A, D sequence, bringing the song to a close on
a note of unresolved yearning. The chords linger, much like the emotions
conveyed in the lyrics, leaving a lasting impression.
Playing Tips
- Embrace the emotional depth of the song. Let the chord transitions flow
naturally, mirroring the narrative's ups and downs.
- Pay attention to the dynamics. The intensity of your strumming should
reflect the song's emotional landscape, from the serene images of nature
to the deep longing for connection.
- Feel free to add your personal touch. While the chords guide the song,
your interpretation will bring it to life, making the story your own.
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