[Intro]
| G Em | C D | 2x
[Verse 1]
G Em C D
Kansas was you and me, happy ever after
G Em C D
Our love was goin' on like a wheat field goes forever
Em D C G/B
Kansas was golden roads in your arms, it felt like home
Am C
Kansas was you and me, damn, we were happy
[Chorus]
G Em
But somewhere, we took a wrong-right turn
C D
Got lost so far from where we were
G Em
What do you say when you leave?
C D
I'll start with, "It ain't you, it's me"
G Em
Just like a rainbow hits the ground
C D
We fell in love, then fell back down
G Em C G/B
I opened the front door, sat on thе front porch all alone
Am
And everything's changing, my hеart is breakin'
G/B C D
'Cause baby, we ain't in Kansas anymore
[Instrumental]
| G Em | C D |
[Verse 2]
G Em C D
There ain't a map to get us back, there ain't no starting over
G Em C D
We try to find a spark but it's only gettin' colder
Em D C G/B
We can blame the weather or time but your heart's feelin' less like mine
Am G/B C
Every day and either way
[Chorus]
G Em
But somewhere, we took a wrong-right turn
C D
Got lost so far from where we were
G Em
What do you say when you leave?
C D
I'll start with, "It ain't you, it's me"
G Em
Just like a rainbow hits the ground
C D
We fell in love, then fell back down
G Em C G/B
I opened the front door, sat on thе front porch all alone
Am
And everything's changing, my hеart is breakin'
G/B C D C
'Cause baby, we ain't in Kansas anymore
[Bridge]
G/B Am
Just another way to say this ain't love anymore
D
Nobody's dreamin', somebody's leavin'
[Chorus]
G Em
But somewhere, we took a wrong-right turn
C D
Got lost so far from where we were
G Em
What do you say when you leave?
C D
I'll start with, "It ain't you, it's me"
G Em
Just like a rainbow hits the ground
C D
We fell in love, then fell back down
G Em C G/B
I opened the front door, sat on thе front porch all alone
Am
And everything's changing, my hеart is breakin'
G/B C D G Em C
'Cause baby, we ain't in Kansas anymore
[Outro]
D G Em C
We ain't in Kansas anymore
D G Em C
Oh, baby,
D
We ain't in Kansas anymore
How to play "Kansas Anymore" on guitar by Megan Moroney
[General Tips:]
Tuning: Standard tuning (E A D G B e).
Tone: Set your guitar for a rich, warm acoustic tone to reflect the nostalgic and
somber mood of the song.
[Intro & Verse Chords:]
- The song begins with a chord progression of G, Em, C, D, repeated twice in the intro.
- Strum these chords gently, focusing on the downstroke to emphasize the melancholic
narrative of the lyrics.
Chord Transition Tips:
- Transitioning between G and Em, keep your index finger on the second fret, fifth string
as a guide.
- For C to D, utilize a swift movement, ensuring your fingers are prepared to switch quickly
to maintain the song's rhythm.
[Chorus Dynamics:]
- The chorus sees an increase in emotional intensity. Increase your strumming power here,
but keep it controlled to not overpower the vocals.
- Emphasize the lyrics, "Cause baby, we ain't in Kansas anymore," with a stronger, more
resonant strum to highlight the thematic climax of the song.
[Bridge Technique:]
- The bridge offers a lyrical and musical shift. Play this section with a more introspective
and soft touch to contrast with the chorus.
- Focus on the emotional delivery of "Just another way to say this ain't love anymore,"
allowing the words to resonate clearly.
[Common Mistakes:]
- Avoid rushing through the transitions, especially in the emotional parts of the chorus
and bridge. Keeping a steady rhythm here is crucial to the song's impact.
- Be mindful not to strum too loudly during the softer verses to maintain the balance between
the storytelling and the instrumental.
[Song Facts:]
"Kansas Anymore" by Megan Moroney uses geographical metaphors to explore themes of change
and emotional distance in a relationship. The song contrasts the idealistic past with a
more complex present, using the state of Kansas as a symbol for a lost utopian love.
[Megan Moroney Biography:]
Megan Moroney's music blends elements of country, pop, and indie to create rich, emotional
landscapes. Her songs often tackle personal and relatable themes, making her a distinct
voice in contemporary country music.
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